Haus Blong Miranda, Havannah Harbor, Efate, Vanuatu, 2015

Haus Blong Miranda (Miranda’s-House) is more a village-with-villagers, than a house.

It’s many places in one: coming-together places, being-apart places.

To the street and sea, it’s a village-of-pavilions: friendly, traditional. Cars stop quickly, enabling a meandering way through – for people, landscape, view, breeze.

Platforms step sea-ward: they nestle, they perch, accompanied by hardworking, tropical natangorah-thatched-rooves which create deep-shelter, shade and dark-cool internally – and waving, joyous fringes.

Primary pavilions are an essay in exquisite local kwila-hardwood, anchored to site-cuts through local-coral-stone and polished-coral-concrete. Almost wall-less, they are broadly opening, then shuttering; never of glass, but with slats, fine-timber-louvres and split-woven-bamboo.

Freer-form nakamals afford making/party/play-spaces and shelter-points around the site. Here, bush-timber-and-natangorah structures follow the whim of Ni-Van builders.

Spaces-between are transitions, journeys-with-outdoor-art, places to hold-and-show collectibles and gifts.

Open House: the site becomes the house, the house the site.

This project’s about comprehending traditional-construction, reshaping for contemporary knowledge: tradition and niu-way, side-by-side.

It’s about design for cyclones: learning old principles, applying new translations.

It’s about working with Ni-Van trades&craftspeople, but through commercial engagement: old economy, new economy.

Kastom land is leased, but kastom owners are on-site, too: 2-way learning continues.

Open-house: a dot in Miranda’s Vanuatu-journey: Haus blong Vanuatu.